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Tokyo Film Festival Honors O Mipo and Mohammad Rasoulof with Kurosawa Akira Award
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In Short: The Tokyo International Film Festival has announced that Japanese-Korean filmmaker Mipo O and Iranian filmmaker Mohammad Rasoulof will be honored with the Kurosawa Akira Award at this year’s festival.
The Tokyo International Film Festival has announced that Japanese-Korean filmmaker Mipo O and Iranian filmmaker Mohammad Rasoulof will be honored with the Kurosawa Akira Award at this year’s festival.
The selection committee highlighted O Mipo's work, noting her consistent creation of films that offer a multifaceted perspective on individuals living on the margins of society, avoiding simplistic good vs. evil portrayals.
Rasoulof, who has faced censorship, prison sentences, and filmmaking bans from the Iranian government, was recognized for his relentless pursuit of unique filmmaking methods, often employing guerilla-style shooting techniques.
The Kurosawa Akira Award is designed to honor filmmakers who have made significant contributions to cinema and are expected to continue shaping the industry’s future.
Actor Hayato Isomura, known for his roles in 'Alice In Borderland' and 'What Did You Eat Yesterday?', will lead the Ethical Film Award Jury at the festival.
Three films from this year’s TIFF selection met the criteria for the Ethical Film Award: 'Amadeo And The Hypothetical New World' by Brenda Lígia (Brazil), 'I Rarely Wake Up Dreaming' by Isabelle Stever (Germany, Ukraine), and 'Time And Tide' by Vee Shi (Australia).
What's still developing
- “Since making her directorial debut in 2006 with The Sakai’s Happiness, director O Mipo has consistently created works that offer a multifaceted perspective on individuals living on the margins of society, refraining from viewing them through a simple lens of good vs. evil,” said the selection committee.
- The award is designed to recognize the legacy and ongoing influence of renowned auteurs and is presented to filmmakers who have “made waves in cinema and are expected to help guide the industry’s future”.
- (1987), along with 4K restorations of two of Kurosawa’s own titles – Sanshiro Sugata (1943) and Ikiru (1952).